a master at work
Jan. 15th, 2007 10:11 pmOne thing that came up in conversation was a video of a very aged Al Hirschfeld working on a drawing. As it so happened, I just ran into it. Or perhaps an edited-down version; this seems abbreviated from what was described.
What I find fascinating is how meticulous his drawing is - both the pencils and the inks. He's got a tentative, sketchy hand. I started with that but I got trained out of it; I always really thought that a style as calligraphic as his would involve a lot of... I dunno. Slashing out the pencils, then sitting there contemplating the paper for a moment now and then in between rapid lines drawn with the whole body. Is it that he was an old, old man, whose body simply couldn't do this any more? Or did he always draw like that? I may never know, unless I encounter some of his younger work in person so I can put my nose a half-inch from the paper and see the character of his lines. (I do this whenever I run into an original from a favorite artist. You can see so much you can't see at the 50-25% it's shot down to for reproduction.)
If you want to know what I'm doing....
Date: 2007-01-16 06:02 am (UTC)I think that's telling. It's been said that there are stages in the development of an artist and his art:
* Doesn't know anything
* Knows Something
* Knows Everything
* Doesn't know anything
I've seen a few of his prints 'full size' at galleries here and there. Those he rendered entirely in pen do have that ever-so-sleight scratchiness to it. Those he finished out with a brush do not.
Notice how when he was detailing out the fine lines he did so bit by bit, but the amazing confidence and sweep of his broader brush strokes. 'Mazing.
no subject
Date: 2007-01-16 07:28 am (UTC)I also belived that an artist like him would work like an oriental calligrapher with fast, dancing brush-strokes across the paper. But sketching is important, even for a master.
It was interesting to see this!
no subject
Date: 2007-01-16 09:37 am (UTC)no subject
Date: 2007-01-16 12:29 pm (UTC)