egypturnash: (the one true tool)
[personal profile] egypturnash
Colonel Crow, in the Library, with the Revolver.



Col. Crow's career was unusual, in that it existed at all. Most women of the 1910s were kept well away from the service during the War, with the exception of a few all-female divisions that, truly, served more as morale-boosting exercises than actual combat units. Ms Crow, however, broke the rules. She brassed her way into the Army at the age of thirteen as a boy, and managed to keep her sex secret until she'd already earned two medals for distinguished service.

There was really nothing to do with her except promote her, and ship her back home to a desk job, at that point.

Mr. Wombat made one too many jokes about "closing your eyes and thinking of England" when Col. Crow was in earshot.



Many thanks to Chris Goodwin for the initial inspiration. Hope you don't mind me appropriating your abandoned concept!

Date: 2005-11-29 05:08 am (UTC)
ext_77607: (Default)
From: [identity profile] wootsauce.livejournal.com
NICE! Oh, I really have no good comments right now as I am in the middle of writing a paper, but I really like this.

Date: 2005-11-29 05:12 am (UTC)
ext_646: (Default)
From: [identity profile] shatterstripes.livejournal.com
And here I was thinking it was kinda cheap and not quite working. This happens sometimes when I stare at something too ling.

Date: 2005-11-29 05:15 am (UTC)
From: [identity profile] tengukun.livejournal.com
Oh now THIS does my heart good. :3 I like the backstory, too.

Date: 2005-11-29 05:36 am (UTC)
ext_646: (Default)
From: [identity profile] shatterstripes.livejournal.com
I wrote the backstory when I did the original sketch, months ago. It just seemed to demand narrative to explain it, somehow. Some images do.

Date: 2005-11-29 05:20 am (UTC)
From: [identity profile] dagoski.livejournal.com
If you ever do a comic, let us know. This sort of feels like Sandman mixed with Albedo. Way cool!

Date: 2005-11-29 05:33 am (UTC)
ext_646: (raccoon facepaint)
From: [identity profile] shatterstripes.livejournal.com
I've toyed with comics in the past - mostly, a sideways fantasy epic that's probably some sort of Transition Angst story - but I've never really done anything. I get bored too easily to really try anything long form. And too perfectionist - I know I'd spend days on one page if I let myself.

Date: 2005-11-29 08:25 am (UTC)
From: [identity profile] ff00ff.livejournal.com
I would love to see a comic that you spent days on each page of.

Date: 2005-11-29 08:27 am (UTC)
From: [identity profile] ff00ff.livejournal.com
Also, a flash animaton of you struggling with the smart propertys inspector..

Date: 2005-11-29 01:08 pm (UTC)
From: [identity profile] ursulav.livejournal.com
I weep for the wombat!

Date: 2005-11-29 03:48 pm (UTC)
From: [identity profile] berbalang.livejournal.com
If I were to crit anything, it'd to maybe trim down the volume of smoke from the revolver. Other than that I can't find fault with it. Beautiful composition; I love broken edgelines. The tilt of the frame (plus the palette) makes me think of early 60s British TV melodrama, for some reason.

Friggin' splendid. ;)

Date: 2005-11-29 04:10 pm (UTC)
From: [identity profile] circuit-four.livejournal.com
If I were to crit anything, it'd to maybe trim down the volume of smoke from the revolver.

Or tack an "I meant to do that" onto it. :) Perhaps there's a huge volume of smoke because it's not earthly smoke - this takes place in some odd alterna-Victorian timeline where the spiritualists and the engineers got together and made some truly frightening weaponry? After all, for a chauvinist pig like that, you want to make sure that it's more than his body that's dead...

Or maybe not, but the idea still makes me smile. :)

Date: 2005-12-11 05:25 pm (UTC)
From: [identity profile] berbalang.livejournal.com
You've got the vertical of the crow, plus the vertical of the smoke, mirroring the verticals behind it. Breaking that rhythm up: that's what I'm after.

Date: 2005-11-29 05:30 pm (UTC)
From: [identity profile] tracerj.livejournal.com
About my only two suggestions would be:

1) Careful with the flourishes on the text. A couple go a long way, and several go way too far. The closing quote marks practically disappear into the flourish of the 'd'.

2) The wallpaper texture is misaligned with the angle of the wall enough to cause disorientation, and not the good sort. I'd put just enough perspective effect on it to make sure it fit with the rest of the lines, and then it would be perfect.

Other than that, I love the piece. The crosshatching to add shading to the bookshelf works well, I think.

Date: 2005-11-29 06:58 pm (UTC)
ext_646: (Default)
From: [identity profile] shatterstripes.livejournal.com
I really hated the perspective effect the few times I played with it; it's not something I consider usably finished. I chose to fake it rather than draw the pattern by hand or to fight the perspective filter dialogue. Shame there isn't a simple "perspective distort" like there's been in Photoshop for a while.

Date: 2005-11-29 08:51 pm (UTC)
From: [identity profile] mmsword.livejournal.com
Sepia tones make me happy. Semper non sequitor.

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Margaret Trauth

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