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[The editor of Atlantic Monthly in the late 1800s] claimed that authors had gone astray by being imitators of one another rather than of nature. He proscribed writing about "interesting" characters--such as famous historical figures or creatures of myth. He decried exotic settings—places such as Rome or Pompeii, and he denounced tales that told of uncommon events. He praised stories that dealt with the everyday, where "nobody murders or debauches anybody else; there is no arson or pillage of any sort; there is no ghost, or a ravening beast, or a hair-breadth escape, or a shipwreck, or a monster of self-sacrifice, or a lady five thousand years old in the course of the whole story." He denounced tales with sexual innuendo. He said that instead he wanted to publish stories about the plight of the "common man," just living an ordinary existence. Because Howells was the editor of the largest and most powerful magazine of the time (and because of its fabulous payment rates, a short story sale to that magazine could support a writer for a year or two), his views had a tremendous influence on American writers.


Well. Now I know why 'mainstream' fiction is so hostile to the fantastic.
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Margaret Trauth

October 2020

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