bus doodles
Apr. 14th, 2004 11:33 pmA little late getting on my way home. A little strange in my doodles.

I think I'm getting a little homesick. I keep on doing these little flourishes that remind me of nothing so much as the ironwork found in the French Quarter, as well as many other parts of New Orleans. This might be a self-portrait without glasses, might not be. And if I do it in AI, I might just add the glasses in.
You can't really see it in the tangle of lines, but there are some lines across the figure that actually suggest where the edge of the cast light in the BG would go across her! A rarity for me nowadays.

Same design as the ethereal snake I drew around me in this self-portrait, but not necessarily the same one. In fact, it's rather definitely not the same one:


I was a little leery of doing this, since the last time I did an internal dialogue on paper, Twin ended up eating Peganthyrus. No, seriously, I've stopped being a dragon now, I'm just... whatever. Some of these drawings of me work, some do not. So, yeah, now there's a giant pink ethereal cobra with bedroom eyes who may or may not be some aspect of myself. Who doesn't talk, and can light herself on fire. And doesn't want to actually talk, just to cuddle. Okay. Sure. I also may or may not have a naked singularity for a spirit guide, so why not?
I worry that I sound crazy when I draw things like this. It's metaphor and play, but there's also some level of truth to it because it just comes from deep under the conscious mind - I draw lines, they turn into something, sometimes something very curiously meaningful to me.

I think I'm getting a little homesick. I keep on doing these little flourishes that remind me of nothing so much as the ironwork found in the French Quarter, as well as many other parts of New Orleans. This might be a self-portrait without glasses, might not be. And if I do it in AI, I might just add the glasses in.
You can't really see it in the tangle of lines, but there are some lines across the figure that actually suggest where the edge of the cast light in the BG would go across her! A rarity for me nowadays.

Same design as the ethereal snake I drew around me in this self-portrait, but not necessarily the same one. In fact, it's rather definitely not the same one:


I was a little leery of doing this, since the last time I did an internal dialogue on paper, Twin ended up eating Peganthyrus. No, seriously, I've stopped being a dragon now, I'm just... whatever. Some of these drawings of me work, some do not. So, yeah, now there's a giant pink ethereal cobra with bedroom eyes who may or may not be some aspect of myself. Who doesn't talk, and can light herself on fire. And doesn't want to actually talk, just to cuddle. Okay. Sure. I also may or may not have a naked singularity for a spirit guide, so why not?
I worry that I sound crazy when I draw things like this. It's metaphor and play, but there's also some level of truth to it because it just comes from deep under the conscious mind - I draw lines, they turn into something, sometimes something very curiously meaningful to me.
no subject
Date: 2004-04-14 11:47 pm (UTC)no subject
Date: 2004-04-15 12:00 am (UTC)Interesting that this snake refuses to be named, too.
no subject
Date: 2004-04-15 08:24 am (UTC)I hope you get to learn more about your inner serpent and that she can teach you about yourself as well. :)
no subject
Date: 2004-04-15 09:04 am (UTC)Also, um, yeah, I do understand being genderless and unsexed but still being sexual. Twin's unsexed and very sexual, though (she)'s got a gender.
Sometimes I wonder if I'm becoming my own muse....
no subject
Date: 2004-04-15 08:27 am (UTC)no subject
Date: 2004-04-14 11:49 pm (UTC)no subject
Date: 2004-04-15 12:06 am (UTC)If I was going through these changes when I was a teen, I'd still be doing some of the work in my sketchbook. It just wouldn't look as good. n.n
no subject
Date: 2004-04-15 12:17 am (UTC)no subject
Date: 2004-04-15 08:02 am (UTC)no subject
Date: 2004-04-15 12:17 am (UTC)no subject
Date: 2004-04-15 02:31 am (UTC)Sudden flashes of inspiration I can get, but rambling inner monologues would be very curious.
no subject
Date: 2004-04-15 08:44 am (UTC)It's mostly a matter of having sufficient skill to draw relatively effortlessly., so that you can have a hope of keeping up with the internal dialogue.
no subject
Date: 2004-04-15 05:06 am (UTC)no subject
Date: 2004-04-15 06:25 am (UTC)no subject
Date: 2004-04-15 08:15 am (UTC)apt and yap
Date: 2004-04-15 12:52 pm (UTC)my inner geek is all like, "the cobra hood is not a permanent display.. it's only for when the animal is feeling threatened to bluff the target into thinking it's bigger than it actually is."
but then, the inner artist is all like, "nothing says 'cobra' like seeing the flared hood, so shut up"
plus, having a critter that's both constantly cuddly and constantly threatened is intersting, itself. cobras naturally alter their silhouettes, playing with the illusion of shape to evoke an illusory menace of something suddenly larger. which is funny since it's the poison you have to watch out for ^_^
no subject
Date: 2004-04-15 11:05 am (UTC)Annnd.. as for the cobra, if she's not vestiges of Kalinda going off in a new direction, then.. I've got this theory about dickgirls and their flaming trousersnakes. ;}
no subject
Date: 2004-04-15 01:52 pm (UTC)Kalinda was never really more than a different shape for Peganthyrus. Exact same attitudes, different IC backstory. Um... I'm really glad my trouser snake is not that long. Although there's an image I'll have to hunt up the reference to when I get home...
Ineffably Cute
Date: 2004-04-17 04:13 am (UTC)When I see the snake, I am thinking of Dharma for some reason. Or the tiger Hobbes.
Doing those 'drawn conversations', have you tried them before in your life (besides from the one where Twin recapitulated Peggy)? I used to, when bored in College, just draw panels onto some paper and scribble up characters and see what they would say to one another...
I wish I could remember an online comic that I saw, where this guy, as an experiment, wrote like 13 'issues', where he, at the same time as explaining how sequential art works, he created characters, a storyline, self-referentialism, breaking of the 4th wall...using flash too, so I'd get to a point where he'd be talking about time travel and I'd click on a panel and that panel would move up to the beginning and the comic would change...
Yes, how vague I am -:)
Re: Ineffably Cute
Date: 2004-04-17 12:02 pm (UTC)I haven't really tried this sort of thing before, no. Not in any even vaguely-significant way - a lot of my sketchbook in high school was taken up by comics I made up on the fly, but they were never about my internal landscape, just silliness. I could never have imagined delving into my internal landscape back then; I kept it pretty much locked up tight because it was full of buried angst and horror over my father's recent unexpected death.
Some people are suggesting I should sit down and ask this snake what she's here for - but I don't think she'd enlighten me. Not in any direct way, at least.