egypturnash: (HGA)

Another one of those “I answered this on /r/AdobeIllustrator and thought it would make a good technique post” things.

How to make a cute little string-art effect.

1. Draw some lines
2. Use the Blend tool to click on the end of the first line furthest away from the next one
3. Repeat until you run out of lines
4. object>blend>blend options to bring up the number of steps
5. to fix that one line you clicked wrong on, select it and do object>path>reverse path direction.

If you wanted it to really look like the nail-and-string-on-a-board kits I remember doing in the seventies, you could maybe add a highlight and a shadow by putting extra strokes on the whole blend:

Adding nails is left as an exercise for the reader.

Suggestions: dotted lines, custom arrowhead, custom art brush with a nail at one end and the “stretch between guides” scaling option in its settings, a custom art brush that’s *just* a nail plus some blank space and the “stretch between guides” scaling option applied to the whole blend as a new path atop the appearance stack shown here – maybe with a low level of effect>distort & transform>roughen applied to mimic the look of nails hammered in unevenly?

Mirrored from Egypt Urnash.

egypturnash: (HGA)

Here’s a little stylization trick.

It kinda falls apart on anything besides rectangles; here’s some extra magic to fix that. With slightly different colors because I closed the file and wanted to play with it a little more.

The tilted rectangle on the lower right lacks this extra magic.

The fill is offset by enough to hide the ugly white edges; the stroke is the same width as that offset, and is offset by half its width. Making the stroke 0% opaque and turning on ‘Knockout Group’ makes it work as a built-in opacity mask for this shape – an ugly, but very useful hack. You could also just have some really thick outlines instead, or build a lot of clipping masks; both of those feel like Work to me and I’m generally allergic to that.

The rasterize effect is set to add 0 points around the path, which varies from my usual Document Raster Effect settings of adding about 35 points to give me room for most blurs I’m likely to use. You can also change the resolution, the tilted rectangle’s at a lower resolution than the rest of the shapes.

I might have to try doing some art with this look.

Mirrored from Egypt Urnash.

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Margaret Trauth

April 2019

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